Tag: visuals

Counterfiet Sanctity at C3 April 28th to May 16th

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Counterfeit Sanctity at C3 brings together the work of two recent VCA graduates Carmel Seymour and Kate Tucker. In a examination of the transformative power of our belief systems. Carmel produces some beautiful rendered drawings that in addition to their mysterious and contentious content intrigued me. It knocked me off guard. Operating within the understanding of pencil drawing and watercolour she subverts them and plays with her visuals. Enlightening the occult and washing away our magic carpet.

Kate Tucker’s drawings were undeniably joyful. The skill of placement finds us sucked into the planes of existence that she creates cleverly within the two-dimensional. Her play of shape texture and colour are erudite while still holding onto the bold coarse edges and displacing lines. Her functional relationship to objects and symbolism has been digested and reinterpreted to allow her confident and exciting talent as a maker simply do the talking. The piece she named Necklace, gives rise to questions of the boundaries between art and craft that she has supplanted and made her own so easily. Well worth a look.

The Nothing at West Space

http://www.westspace.org.au/images/stories/previews/20100401.jpg However, ‘The Nothing’ at West space, was a delight, trying to explore ‘the unknown and potentially unknowable aspects of human understanding’. The concept of the group show was to engage in the discourse of dissecting minimalism through construction and destruction of art objects and their materiality. The artwork was both mocking and reverential. It ranged from; simply playful and inviting work like E.T. made from a lamp projecting the shadow of a pair of scissors onto the wall with two tacks that created eyes, to the considered and delicate drawings of Daniel Price, to cinematically engaging media work of Damiano Bertoli. Where you are taken into the quietly serene, richly decorated show homes of what I presumed were Los Angeles. One engrossed you gradually you start to notice discrepancies in the visuals, a shark sticks out of a storage box. Some shots are sterile and still hallways with bold stairwells. Others pan around a bedroom, clothes strewn; you start to question why these anomalies weren’t corrected. Then moved quickly onto a bold piece of modernist furniture. Most importantly I appreciated the show was trying to throw up questions, not answers in a time when we always need to know the answer.

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