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	<title>Oliver Cloke&#187; Sketch Mary Ellen Bute 26th july-13th september</title>
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		<title>Sketch &#8211; Mary Ellen Bute 26th july-13th september</title>
		<link>http://www.olivercloke.com/sketch-mary-ellen-bute-26th-july-13th-september?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=sketch-mary-ellen-bute-26th-july-13th-september</link>
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		<pubDate>Tue, 09 Sep 2008 19:47:11 +0000</pubDate>
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				<category><![CDATA[Writing about Art/ Artists]]></category>
		<category><![CDATA[Sketch Mary Ellen Bute 26th july-13th september]]></category>
		<category><![CDATA[writing about art/ artists]]></category>

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		<description><![CDATA[Bute's filmmaking is both meticulous and energetic. Her Kandinsky like films are slightly darker in content, but you become mesmerised by the layering of film and the colours that permeate the screen.
]]></description>
			<content:encoded><![CDATA[<p>In Sketch, a venue that combines a nightclub, Bar, restaurant, Gallery. The gallery although slightly sidelined still is an effective space, only showing films it has created a<br />
soft, white couch filled arena with surround cinema. It is showing a<br />
retrospective of Mary Ellen Bute. A little known artist she made short films,<br />
fourteen are here and they document her pioneering use of moving image,<br />
combining light and sound, with her experimental drawing and painting directly<br />
onto the film. She was drawn into filmmaking by collaboration with the musician Joseph<br />
Schillinger, who had developed an elaborate theory about musical structure,<br />
which reduced all music to a series of mathematical formulae. Schillinger<br />
wanted to make a film to prove that his synchronization system worked in<br />
illustrating music with visual images, and Mary Ellen created the visuals. </p>
<p>In1939 Mary Ellen began to work in color, and used more conventional<br />
animation for the main themes in the music, but still combining it with<br />
&#8220;special effect&#8221; backgrounds&#8211;sometimes swirling liquids, clouds or<br />
fireworks, other times light effects created with conventional stage lighting,<br />
such as imploding or exploding circles made by rising in or out a spotlight. Set<br />
to classical music by the likes of Bach, Saint-Saens or Shostakovich, and<br />
filled with colorful forms, elegant design and sprightly, dance-like-rhythms,<br />
Bute&#8217;s filmmaking is both meticulous and energetic. Her Kandinsky like films<br />
are slightly darker in content, but you become mesmerised by the layering of<br />
film and the colours that permeate the screen.</p>
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