Tag: rafael lozano hemmer

art must-sees: Christmas and New Year (UK)

Colourful film still from a semi-abstract animated film featuring dancers

Len Lye, Rainbow Dance (1936). Courtesy the British Post Office, Len Lye Foundation, Govett Brewster Art Gallery and New Zealand Film Archive© All Rights Reserved

If you want a bit of festive cheer with your contemporary art, look no further than our Christmas picks. These shows offer all the colour, magic and delight associated with this time of year. But please do check venue listings for holiday opening schedules.

Len Lye, Ikon Gallery, Birmingham

There’s joy to all men at Ikon with the first ever UK retrospective of Len Lye. Kinetic sculptures and colourful animations both express the New Zealander’s lively sense of optimism. This one is sure to warm up visitors of all ages.

Sharpe’s Wood: Lisa Dracup, PM Gallery, London

Magical woodlands make an apt setting for a seasonal photography show. But in fact the photographic images are all shot outside Bradford. Dracup works at night without use of a flash to capture otherworldly details which the naked eye tends to overlook.

Dan Holdsworth: Blackout, BALTIC Centre for Contemporary Art, Gateshead

The make-believe landscapes in Dan Holdsworth’s show are photos taken in Iceland. Using a mix of analogue and digital processes, the London-based photographer turns melting glaciers into lunar mountain ranges or locations even further from ours.

Lucent Lines: Simon Fenoulhet, Oriel Davies, Newtown, Powys

Prepare your sense of winter wonder as you enter a darkened space lit only by the sculptures of Simon Fenoulhet. The Cardiff artist uses a range of technologies to illuminate a range of everyday materials, bringing something extra- to the ordinary.

Recorders: Rafael Lozano-Hemmer, Manchester Art Gallery

Although this show was a Culture24 pick for the Manchester Weekender, it could be worth another visit over the holidays. Lozano-Hemmer’s interactive installations are more fun than a game of charades and full of surprises, unlike those crackers.

Tomaiko Suzuki, Towner Gallery, Eastbourne

If proof were needed of this Japanese artist’s festive credentials, look no further than his £120,000 crib at St Martin-in-the-Fields Church in London. However, Eastbourne has its share of toy-like wonders with the sculptor’s urban, wood-carved figurines.

33 Questions per Minute

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Another work by Rafael Lozano-Hemmer  is 33 Questions Per Minute consists of a computer program which uses grammatical rules to combine words from a dictionary and generate 55 billion unique, fortuitous questions. The automated questions are presented at a rate of 33 per minute –the threshold of legibility– on 21 tiny LCD screens encrusted on the support columns of the exhibition hall or mounted on a wall. The system will take over 3,000 years to ask all possible questions. By means of a keyboard, members of the public can introduce any question or comment into the flow of automatic questions. Their participation shows up on the screens immediately and is registered by the program.

If the PC has an Internet connection, the texts can simultaneously be mirrored to a URL that can be accessed online. Some observations on this installation:

This piece is loosely based on the long tradition of automatic poetry. It is full of anti-content. It attempts to underline our incapability to respond, faced with an electronic landscape made up of demands for attention. The piece provides useless and slightly frustrating machine irony. Tireless grammatical algorithms perform a romantic and futile attempt to pose questions that have never been asked.

The effect of the installation is destabilising due to its speed. The rhythm of questions excludes any rational answer. 33 questions a minute is the threshold of legibility � there is no time for reflection.

To a viewer (or to the authorities), it is impossible to determine if a question was generated by the computer or entered by a human participant because both are shown at the same rate and anonymously. The intention is to develop a �reverse Turing Test� where the impossibility to discriminate between human and machine opens up the possibility of concealment and camouflage.

The majority of the automatic questions are absurd: Will you bleed in an orderly fashion? Is the creator always being born? Do I snip the marriage bed without rhyme or reason? But this surreal wordplay sometimes turns up questions that do have meaning within the context in which they are exhibited: Who bribes the artist? Why did computers become so self-congratulatory

Going to the Sun…

Solar EquationI really want to go and see Rafael Lozano-Hemmer’s solar equation in Fed Square. Known for his Electronic artist, that develops large-scale interactive installations in public spaces, using super duper technologies, new types of interfacing, robotics, projections, sound, the internet, mobile technology, sensors and other devices. Solar Equation is no exception, you can control it with your iPhone, iPod Touch or iPad by downloading a free application called Solar Equation from the Apple iTunes Store. I have none of these but it still sounds great fun… what i don’t understand is what can you control?

Solar Equation is a large-scale public art installation that consists of a faithful simulation of the Sun, 100 million times smaller than the real thing. Commissioned by Fed Square specifically for The Light in Winter in Melbourne, the piece features the world’s largest spherical balloon, custom-manufactured for the project. It is tethered over Federation Square and animated via the use of five projectors. The solar animation on the balloon is generated by live mathematical equations that simulate the turbulence, flares and sunspots that can be seen on the surface of the Sun. This produces a constantly changing display that never repeats itself and gives viewers a glimpse of the majestic phenomena that are observable at the solar surface: these are relatively new discoveries, made possible by recent advances in astronomy.

According to fed square ‘While pertinent environmental questions of global warming, drought, or UV radiation might arise from the contemplation of this piece, Solar Equation is inspired by romantic environments of ephemerality, mystery and paradox, such as those from Blake or Goethe. Every culture has a unique set of solar mythologies and this project seeks to be a platform for both the expression of traditional symbolism and the emergence of new stories.’ I ‘m always up for looking at cool stuff…

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