Tag: painting

Substance ‘TALK’ At Guilford Lane Thursday 15th from 6pm

Talk on thursday evening , 6pm, in the gallery space.


Substance is a group that explores materiality in 21st century art. Material works produced since the 1970s carry deeper intentions that are inevitably read into the time it was produced, or

the context in which it the object is placed. One can no longer view a minimalist sculpture, and consider it purely for its formal qualities. The postmodern agenda almost demands that substantial meaning be applied to material objects. It is difficult to consider a formal artwork in post-modern art, and not engender conceptual or narrative concerns. The exhibiting artists are concerned with materiality and abstraction and apply a deeper substance to their work, either through their process or by implying a reading onto the work.

Each artwork carries within it its own formal aesthetic. In modernist thought it could be viewed as a purely formal work. However on further consideration, one could argue that the materiality of these works in Substance is linked through context. By placing them together we question the nature of their formality, and the bearing that each work has on the others in the space. Substance proposes that when we observe these substances together, the postmodern condition, born of an age of digital and artificial ambiguity, is programmed to read these artworks as more than merely formal. Substance is beyond mere materiality, it is an exploration of today’s insistence for concept and narrative. This show aims to provoke questions in the viewer – are these works purely material, or is there substance to them?

Research

I am holistically researching Aesthetics and Display in Art practice and Curation. This has currently involved me in researching Collaborative practice, Museology. Compared to painting for example I find that the writing about collaborative art, as in the marking/ understanding of collaborative art is hard. This I believe is because the participants determine the outcomes. The work essentially has a need for all participants to be able to evaluate all components equally. The problem is that there are no rules only examples throughout history (as written about by Bourriard, Kester and Bishop) this is conceptually flawed in terms of art as essentially the point of art is that of the discovery of ideas and the creatively new! I think that I can break my break my art practice into three differing parts:

Conception
Planning
Event

Which seems to create three concepts to explore, and create three modes of research

Aesthetics of making
The culture of display
Social science Public art and its architecture

Tentatively I am trying to write about cultures of display, essentially these aesthetic trends

How to approach an Artwork

This guide is for reference only. Try these procedures in art galleries in order to assimilate. Like a dance you should parade around the gallery, flirting with the art. Start by:

Choosing an impressively large piece of art preferably a painting.

Approach the artwork with confident strides.

Look convinced about how you must appreciate the artwork’s subtleties, especially if there aren’t any.

Put both hand on your hips and lean slightly back, observe the ‘workmanship’.

Remove your right hand and gently stroke your chin, as if to question your presupposed arrogance of your first appreciation.

Then walk forward and peer into the depths of it

Make a deep nasal noise that denotes an interest.

Then stroke your chin again.

Make a comment about preferring his (the painters) earlier works being less constructed and quote something from a book.

Wybmadiity (My works)

Painting, using found objects and found paint exploring abstract painterly mark making

Painting, looking at the ideas of the Arte Povera movement, whilst exploring the circle as a motif.

Drawing, looking at how a 2 dimensional artwork could encompass the viewer.

Detail of Drawing, exploring how lines and shape can influence space on the page.

Wybmadiity

This is the promotional poster  for a show that I curated, of Paintings and Sulpture in early 2005

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