Tag: collaborative practice

COUNTER CONSTRUCTS Nicholas Brooks Graham Hudson Tim Ivison & Julia Tcharfas Paul Kneale Guan Rong Brendan Threadgill 18 September – 3 October

Counter Constructs brings together seven artists from the UK and North America in an exhibition exploring strategies of representation and critique of the urban built environment. Responding to the undead ?regeneration? of global development projects and the geologic sediment of spatial histories, the exhibition is a series of implicit proposals and contestations. Un?nished maps, unspeci?ed models, unbuilt plans and unbuilding t…he city – the exhibition is as much about utopia as it is about its folly.

Initially organized by Tim Ivison & Julia Tcharfas around their research-based collaborative practice, Counter Constructs is a way to extend their dialogue on urban space to a wider range of interpretations. The artists in the show are brought together by
a shared interest in mining the ?structure? of architectural thinking. Comprising a sound installation, a détourned architectural pavilion and a ?oor-drawing altered daily – each work represents a part of a circuitous system of associations and digressions. Auto-Italia
will be temporarily appropriated as a space for the archaeology of urban utopias and the staging of alternative visions.

http://www.autoitaliasoutheast.org/forthcoming.html
info@autoitaliasoutheast.org

Research

I am holistically researching Aesthetics and Display in Art practice and Curation. This has currently involved me in researching Collaborative practice, Museology. Compared to painting for example I find that the writing about collaborative art, as in the marking/ understanding of collaborative art is hard. This I believe is because the participants determine the outcomes. The work essentially has a need for all participants to be able to evaluate all components equally. The problem is that there are no rules only examples throughout history (as written about by Bourriard, Kester and Bishop) this is conceptually flawed in terms of art as essentially the point of art is that of the discovery of ideas and the creatively new! I think that I can break my break my art practice into three differing parts:

Conception
Planning
Event

Which seems to create three concepts to explore, and create three modes of research

Aesthetics of making
The culture of display
Social science Public art and its architecture

Tentatively I am trying to write about cultures of display, essentially these aesthetic trends

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